In Search of Gold Mountain

This five-tier stone sculpture chronicles the history of Chinese people in Canada and offers a serene focal point within Sien Lok Park beside the Bow River. The name, In Search of Gold Mountain, evokes the dreams of prospectors who arrived by boat in 1858, lured by the promise of gold in the Fraser River Valley. But the phrase can also be read more broadly as the quest for a better life.

The story is told in stylized images carved into the surface of three of the bands. The figures appear as polished shapes set in relief against a shallow background of pitted texture. In the lowest ring, the ship lands and the first generation sets to work logging, mining and building the railway. Their hard labour lays a foundation for successive generations. More educated and established, the figures in the next ring endure the restrictions of Canadian immigration legislation, the only laws in our history to limit immigration based on race and country of origin. The head tax and Exclusion Act are indicated simply with dates and names.

In the upper level, images of tai chi, dragon dancing and acupuncture represent a time when cultural expression is allowed. The tip of the cone is embellished with rows of small, raised knobs, akin to those on early Chinese bronze bells. The reference is a reminder of ancient Chinese culture and places the Canadian experience in perspective within an extensive timeframe.

This five-tier stone sculpture chronicles the history of Chinese people in Canada and offers a serene focal point within Sien Lok Park beside the Bow River. The name, In Search of Gold Mountain, evokes the dreams of prospectors who arrived by boat in 1858, lured by the promise of gold in the Fraser River Valley. But the phrase can also be read more broadly as the quest for a better life.

The story is told in stylized images carved into the surface of three of the bands. The figures appear as polished shapes set in relief against a shallow background of pitted texture. In the lowest ring, the ship lands and the first generation sets to work logging, mining and building the railway. Their hard labour lays a foundation for successive generations. More educated and established, the figures in the next ring endure the restrictions of Canadian immigration legislation, the only laws in our history to limit immigration based on race and country of origin. The head tax and Exclusion Act are indicated simply with dates and names.

In the upper level, images of tai chi, dragon dancing and acupuncture represent a time when cultural expression is allowed. The tip of the cone is embellished with rows of small, raised knobs, akin to those on early Chinese bronze bells. The reference is a reminder of ancient Chinese culture and places the Canadian experience in perspective within an extensive timeframe.